{"id":24995,"date":"2021-11-17T11:02:17","date_gmt":"2021-11-17T10:02:17","guid":{"rendered":"https:\/\/blogs.nmz.de\/badblog\/?p=24995"},"modified":"2021-11-17T11:02:17","modified_gmt":"2021-11-17T10:02:17","slug":"die-24-tonarten-und-ihre-bekanntesten-werke-die-komplette-liste","status":"publish","type":"post","link":"https:\/\/blogs.nmz.de\/badblog\/2021\/11\/17\/die-24-tonarten-und-ihre-bekanntesten-werke-die-komplette-liste\/","title":{"rendered":"Die 24 Tonarten und ihre bekanntesten Werke &#8211; Die komplette Liste"},"content":{"rendered":"<p>&#220;ber ein paar Monate hinweg habe ich mir Gedanken gemacht, was f&#252;r mich (und meinen Kreis von Freundinnen und Freunden, denn der wurde durchaus auch befragt) das wohl f&#252;r jede Tonart jeweils bekannteste St&#252;ck E-Musik ist. Bei einer Tonart (cis-Moll) hatte ich etwas Wichtiges vergessen. Das wird hier sehr unauff&#228;llig korrigiert. Zur &#220;bersicht &#8211; und als Abschluss &#8211; gibt es die gesamte Liste. Ich denke, wir haben die Sache jetzt gekl&#228;rt. Vielen Dank f&#252;r die Aufmerksamkeit und die Kommentare.<\/p>\n<p><strong>C-Dur<\/strong><br \/>\nWolfgang Amadeus Mozart (1756-1791)<br \/>\nSonate f&#252;r Klavier C-Dur KV 545 (\u00bbSonata facile\u00ab) (1788)<br \/>\n1. Satz: Allegro<br \/>\nLili Kraus (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WUvop5RsCGg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=16727&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>c-Moll<\/strong><br \/>\nLudwig van Beethoven (1770-1827)<br \/>\nSinfonie Nr. 5 c-Moll op. 67 (1808)<br \/>\n1. Satz: Allegro con brio<br \/>\nJordi Savall (Leitung)<br \/>\nLe Concert des Nations<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/j0aMraL51Mo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>Des-Dur<\/strong><br \/>\nClaude Debussy (1862-1918)<br \/>\nSuite bergamasque (1890)<br \/>\n3. Satz: Clair de Lune. Andante tr\u00e8s expressif<br \/>\nWalter Gieseking (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MhadMhkFnnQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>cis-Moll<\/strong><br \/>\nLudwig van Beethoven (1770-1827)<br \/>\nSonate f&#252;r Klavier cis-Moll op. 27 Nr. 2 (\u00bbMondscheinsonate\u00ab) (1801)<br \/>\n1. Satz: Adagio sostenuto<br \/>\nArtur Schnabel (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gppem_XGdcs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>D-Dur<\/strong><br \/>\nJohann Sebastian Bach (1685-1750)<br \/>\nOuvert&#252;re (Orchestersuite) Nr. 3 D-Dur BWV 1068 (1731)<br \/>\nNr. 2: Air<br \/>\nIl Giardino Armonico<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3ATnCL1uUUc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>d-Moll<\/strong><br \/>\nJohann Sebastian Bach (1685-1750)<br \/>\nToccata und Fuge d-Moll BWV 565 (ca. 1703-1707)<br \/>\nTon Koopman (Orgel)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ng4Zbr6AeOQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>Es-Dur<\/strong><br \/>\nFr\u00e9d\u00e9ric Chopin (1810-1849)<br \/>\nNocturne Es-Dur op. 9 Nr. 2. Andante (1833)<br \/>\nArthur Rubinstein (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YGRO05WcNDk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>es-Moll<\/strong><br \/>\nPaul Desmond (1924-1977)<br \/>\nTake five (1959)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PHdU5sHigYQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>E-Dur<\/strong><br \/>\nEdvard Grieg (1843-1907)<br \/>\nPeer-Gynt-Suite Nr. 1 op. 46 (1888)<br \/>\nNr. 1: Morgenstemning (Morgenstimmung). Allegretto pastorale<br \/>\nColin Davis (Leitung)<br \/>\nLondon Symphony Orchestra<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DaevpIE1Mjc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>e-Moll<\/strong><br \/>\nAnton\u00edn Dvo\u0159\u00e1k (1841-1904)<br \/>\nSinfonie Nr. 9 e-Moll op. 95 (\u00bbAus der Neuen Welt\u00ab) (1893)<br \/>\n4. Satz: Finale. Allegro con fuoco<br \/>\nMariss Jansons (Leitung)<br \/>\nConcertgebouw-Orchester<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2piCORWRrX0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>F-Dur<\/strong><br \/>\nJohann Sebastian Bach (1685-1750)<br \/>\nItalienisches Konzert F-Dur BWV 971 (1735)<br \/>\n1. Satz: (Allegro)<br \/>\nChristine Schornsheim (Cembalo)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/wjXCJL8P0rs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=6&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>f-Moll<\/strong><br \/>\nAntonio Vivaldi (1678-1741)<br \/>\nLe quattro stagioni (Die vier Jahreszeiten) (1732)<br \/>\nL\u2019inverno (Der Winter) RV 297<br \/>\n1. Satz: Allegro non molto<br \/>\nIl Giardino Armonico<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/I-mKf4RRVsI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>Ges-Dur<\/strong><br \/>\nAnton\u00edn Dvo\u0159\u00e1k (1841-1904)<br \/>\nHumoresken op. 101 (1894)<br \/>\nNr. 7: Ges-Dur. Poco lento e grazioso<br \/>\nIgnaz Friedman (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FU8Jt-YK6Ho?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>fis-Moll<\/strong><br \/>\nJohannes Brahms (1833-1897)<br \/>\nUngarische T&#228;nze WoO 1 (1873)<br \/>\nNr. 5: fis-Moll. Allegro<br \/>\nAlfons Kontarsky (Klavier) \/ Aloys Kontarsky (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kvaNrmmiSl0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>G-Dur<\/strong><br \/>\nCamille Saint-Sa\u00ebns (1835-1921)<br \/>\nLe carnaval des animaux (Der Karneval der Tiere) (1886)<br \/>\nNr. 13: Le cygne (Der Schwan)<br \/>\nJacqueline du Pr\u00e9 (Violoncello)<br \/>\nOsian Ellis (Harfe)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Bw_79Vya8UQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>g-Moll<\/strong><br \/>\nWolfgang Amadeus Mozart (1756-1791)<br \/>\nSinfonie Nr. 40 g-Moll KV 550 (1788)<br \/>\n1. Satz: Molto Allegro<br \/>\nJordi Savall (Leitung)<br \/>\nLe Concert des Nations<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HdQRrWW6C-E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>As-Dur<\/strong><br \/>\nFranz Liszt (1811-1886)<br \/>\nLiebestraum Nr. 3 As-Dur. Poco Allegro, con affetto (1850)<br \/>\nArthur Rubinstein (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LBflOHufrQY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>gis-Moll<\/strong><br \/>\nFranz Liszt (1811-1886)<br \/>\n\u00c9tudes d&#8217;ex\u00e9cution transcendante d&#8217;apr\u00e8s Paganini (1851)<br \/>\nNr. 3: Campanella. Allegro moderato<br \/>\nG\u00e9za Anda (Klavier)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2qxgqpmokjY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=264&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>A-Dur<\/strong><br \/>\nWolfgang Amadeus Mozart (1756-1791)<br \/>\nSonate f&#252;r Klavier A-Dur KV 331 (1783)<br \/>\n1. Satz: Tema con variazioni. Andante grazioso<br \/>\nAndreas Staier (Hammerfl&#252;gel)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LBflOHufrQY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>a-Moll<\/strong><br \/>\nLudwig van Beethoven (1770-1827)<br \/>\nBagatelle f&#252;r Klavier a-Moll WoO 59 (\u00bbF&#252;r Elise\u00ab) (1810)<br \/>\nTobias Koch (Fortepiano)<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/4Kv4vr3vNqk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>B-Dur<\/strong><br \/>\nGiuseppe Verdi (1813-1901)<br \/>\nLa traviata (1853)<br \/>\nLibiamo ne&#8217;lieti calici<br \/>\nDiana Damrau (Sopran)<br \/>\nJuan Diego Fl\u00f3rez (Tenor)<br \/>\nYannick N\u00e9zet-S\u00e9guin (Leitung)<br \/>\nOrchestra of the Metropolitan Opera<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/afhAqMeeQJk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>b-Moll<\/strong><br \/>\nPeter Tschaikowski (1840-1893)<br \/>\nKonzert f&#252;r Klavier und Orchester Nr. 1 b-Moll op. 23 (1875)<br \/>\n1. Satz: Allegro non troppo e molto maestoso \u2013 Allegro con spirito<br \/>\nSviatoslav Richter (Klavier)<br \/>\nJewgeni Mrawinski (Leitung)<br \/>\nLeningrader Philharmoniker<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5CXT_hVvz4Y?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>H-Dur<\/strong><br \/>\nJoaqu\u00edn Rodrigo (1901-1999)<br \/>\nConcierto de Aranjuez f&#252;r Gitarre und Orchester (1939)<br \/>\n3. Satz: Allegro gentile<br \/>\nNarciso Yepes (Gitarre)<br \/>\nGarc\u00eda Navarro (Leitung)<br \/>\nPhilharmonia Orchestra<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jB_XiGEMErg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p><strong>h-Moll<\/strong><br \/>\nEdvard Grieg (1843-1907)<br \/>\nPeer-Gynt-Suite Nr. 1 op. 46 (1888)<br \/>\nNr. 4: I Dovregubbens hall (In der Halle des Bergk&#246;nigs). Alla marcia e molto marcato<br \/>\nBjarte Engeset (Leitung)<br \/>\nMalm&#246; Symphony Orchestra<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/76dzA46029M?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"> <\/div><ul class=\"shariff-buttons theme-default orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2024%20Tonarten%20und%20ihre%20bekanntesten%20Werke%20%E2%80%93%20Die%20komplette%20Liste https%3A%2F%2Fblogs.nmz.de%2Fbadblog%2F2021%2F11%2F17%2Fdie-24-tonarten-und-ihre-bekanntesten-werke-die-komplette-liste%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Bei einer Tonart (cis-Moll) hatte ich etwas Wichtiges vergessen. 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