{"id":1566,"date":"2009-12-06T15:31:53","date_gmt":"2009-12-06T14:31:53","guid":{"rendered":"http:\/\/blogs.nmz.de\/badblog\/?p=1566"},"modified":"2009-12-06T15:34:25","modified_gmt":"2009-12-06T14:34:25","slug":"nm-in-kl-foto-und-infostrecke","status":"publish","type":"post","link":"https:\/\/blogs.nmz.de\/badblog\/2009\/12\/06\/nm-in-kl-foto-und-infostrecke\/","title":{"rendered":"NM in KL, Foto- und Infostrecke"},"content":{"rendered":"

Liebe Baddies,
\nIch bin euch noch einige Bilder und Infos schuldig:<\/p>\n

Hier die offizielle Info zum Abschluss des Wettbewerbs:<\/p>\n

1 Dec 09
\nPhilippine young composer Juro Kim Feliz wins KLCMF 09 Young Composers Competition 09
\nIt was a close fight for the inaugural Goethe South East Asian award at the KL Contemporary Music Festival 09 Young Composers Competition finals held at SEGi University College on 29 Nov 09.
\nThe eventual overall winner was Philippine composer Juro Kim Feliz with his Sa Kanyang Paglingon (In Her Glances) for flute, bass clarinet, violin, cello, piano and percussion. Feliz was born in Floridablanca, Philippines, in 1987. He began musical studies in his early years through piano lessons from his mother. His interest in 20th Century music led him to study composition at the University of Philippines College of Music where he also studied the Japanese koto.
\nChow Jun Yi, currently pursuin g his graduate degree at the Central Conservatory of Music, Beijing, took the Malaysian award with his A Night Without Voices for flute, clarinet, violin, cello, piano and percussion. Chow was a finalist in Malaysia’s inaugural HSBC Young Composers Workshop 2008 and recently won first prize at the Palatino Awards for vocal music in Beijing in May 09.
\nThe complete results are as follows:
\nGoethe South East Asian Young Composer Award:
\n1st Prize: Juro Kim Feliz
\n2nd prize: Chow Jun Yi
\n3rd prize: Thatchatham Silsupan and Tan Tuan Hao
\nMalaysian Young Composer Award:
\nChow Jun Yi
\nThe competition marked a successful conclusion of three day series of workshops, concerts and conference attended by composers from around South East Asia, New Zealand, China and Germany with an overwhelming audience turnout at all the events. Officiating the festival was YB Elisabeth Wong, EXCO Selangor and ADUN Bukit Lanjan, who in her address stressed the importance of music as an expression and a voice of the people.<\/p><\/blockquote>\n

An dieser Seite<\/a> könnten sich viele hiesige Websites ein Vorbild nehmen – „Malaysian Composers Com“ hat das Festival hervorragend dokumentiert und bietet auch weitere Informationen über das Musikleben in Malaysia.<\/p>\n

Einige der Komponisten die ich erwähnt habe:<\/p>\n

Kee-Yong Chong<\/a> (Malaysia)
\nJonas Baes<\/a> (Philippinen)
\nAnothai Nitibhon<\/a> (Thailand)
\nSlamet Abdul Sukur<\/a> (Indonesien)
\nDieter Mack<\/a> (D)<\/p>\n

Hier geht’s zum Ensemble Mosaik<\/a><\/p>\n

Und hier ein paar Bilder:<\/p>\n

\"Die

Die Zukunft der Neuen Musik Asiens<\/p><\/div>\n

\"Ensemble

Ensemble Mosaik im Probenstress<\/p><\/div>\n

\"Es

Es gibt auch deutsche Konzertsäle die aussehen wie ein evangelisches Hilfswerk<\/p><\/div>\n

\"Wer

Wer genau hinschaut kann im Hintergrund auf den Flipcharts das Wort "pepsimistic" entdecken. Bisher wusste ich nicht, dass mir dieses Wort fehlt, aber es beschreibt einen bestimmten Zustand recht genau!<\/p><\/div>\n

\"Das

Das von Neil Gaiman inspirierte Stück<\/p><\/div>\n

\"Auchauf

Auchauf Pangkor Island gibt es .... THE HATCH<\/p><\/div>\n

\"Jonas

Jonas Baes erzählt über Neue Musik auf den Phillippinen<\/p><\/div>\n

\"Die

Die letzten Überlebenden von Flight Oceanic 815<\/p><\/div>\n

\"Das

Das Hauptgebäude der "Dharma Initiative" auf Pangkor Island<\/p><\/div>\n

\"Die

Die letzten Überlebenden von Flight Oceanic 815<\/p><\/div>\n

\"Five

Five more minutes<\/p><\/div>\n

Euer Moritz Eggert<\/a><\/p>\n

\"\"<\/p>\n

<\/div>