{"id":14734,"date":"2017-02-14T07:05:29","date_gmt":"2017-02-14T06:05:29","guid":{"rendered":"http:\/\/blogs.nmz.de\/badblog\/?p=14734"},"modified":"2017-02-14T11:09:08","modified_gmt":"2017-02-14T10:09:08","slug":"der-tote-winkel-des-klangs","status":"publish","type":"post","link":"https:\/\/blogs.nmz.de\/badblog\/2017\/02\/14\/der-tote-winkel-des-klangs\/","title":{"rendered":"Der tote Winkel des Klangs"},"content":{"rendered":"<p>Die gro&#223;artigste Musikerin bleibt irgendwie stumm, wenn das Musikinstrument fehlt. Gewiss, das ist eine &#252;berholte Ansicht, angesichts der &#228;sthetischen Bewegungen der Gegenwart. Wer sagt denn eigentlich, dass man f&#252;r irgend etwas eine Musikerin geschweige denn einen Schallerzeuger ben&#246;tigt.<\/p>\n<p>Viele der T&#246;ne unserer Umgebung, das muss man so sehr anerkennen wie es eben ist, sind f&#252;r das menschliche Ohr ohnehin nicht h&#246;rbar. H&#246;chstens wird man ihrer in dem Moment gewahr, wo sich Differenzt&#246;ne bilden.<\/p>\n<p>Das kann man unter anderem, je nach Aufnahme und Position bei Gy&#246;rgy Ligetis Atmospheres durchaus h&#246;ren.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/fXh07JJeA28?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=237&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p>Oder vielleicht noch besser bei Luigi Nonos &#8222;<span id=\"eow-title\" class=\"watch-title\" dir=\"ltr\" title=\"Luigi Nono - Como Una Ola De Fuerza Y Luz\">Como Una Ola De Fuerza Y Luz&#8220;.<br \/>\n<\/span><\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8YV6FP28-FM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=1479&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p>Neulich wurde in einer Dokumentation auf einem Kultursender gezeigt, wie sich Flederm&#228;use orientieren. N&#228;mlich mit Echoberechnungen bei sehr hohen und sehr lauten T&#246;nen. Richtig lauten T&#246;nen! <a href=\"http:\/\/www.wissenschaft-aktuell.de\/artikel\/Kreischen_statt_Fluestern1771015585619.html\">D&#228;nische Wissenschaftler<\/a> gehen von einer Lautst&#228;rke von um die 100 Dezibel aus. Angeblich so laut wie ein Presslufthammer.<\/p>\n<p>Bei den Sozialrufen sieht es schon besser aus. Hier von der Website <a href=\"http:\/\/fledermaus-bayern.de\/content\/saved_html\/217.htm\">fledermaus-bayern.de<\/a><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-14734-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/fledermaus-bayern.de\/content\/mp3\/08.mp3?_=1\" \/><a href=\"http:\/\/fledermaus-bayern.de\/content\/mp3\/08.mp3\">http:\/\/fledermaus-bayern.de\/content\/mp3\/08.mp3<\/a><\/audio>\n<audio class=\"wp-audio-shortcode\" id=\"audio-14734-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/fledermaus-bayern.de\/content\/mp3\/16.mp3?_=2\" \/><a href=\"http:\/\/fledermaus-bayern.de\/content\/mp3\/16.mp3\">http:\/\/fledermaus-bayern.de\/content\/mp3\/16.mp3<\/a><\/audio>\n<audio class=\"wp-audio-shortcode\" id=\"audio-14734-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/fledermaus-bayern.de\/content\/mp3\/42.mp3?_=3\" \/><a href=\"http:\/\/fledermaus-bayern.de\/content\/mp3\/42.mp3\">http:\/\/fledermaus-bayern.de\/content\/mp3\/42.mp3<\/a><\/audio>\n<p>Nun wird man einwenden, so viel Flederm&#228;use gibt es doch gar nicht direkt in meiner Umgebung. Das stimmt. Daf&#252;r nimmt die H&#246;rf&#228;higkeit mit dem Alter zunehmend ab. Vor allem bei den hohen T&#246;nen. Da hat man seine Ruh.<\/p>\n<p>Mir wurde einmal eine Geschichte von einem Tontechniker zugetragen, der ein St&#252;ck &#8222;Musik der Gegenwart&#8220; (<a href=\"https:\/\/www.nmz.de\/artikel\/mit-gegenwartsmusik-die-sondersphaere-verlassen\">nach Mahnkopf<\/a>) aufzunehmen hatte. Der Komponist, &#228;lteren Datums, sa&#223; neben ihm, um die Tonmischung zu &#252;berwachen. An einer bestimmten Stelle mahnte er dann an, dass man die Piccolofl&#246;te kaum h&#246;ren k&#246;nne. Die m&#252;sse lauter aufgenommen werden. Schlie&#223;lich war sie so laut, wie es der Komponist sich w&#252;nschte, aber f&#252;r die Techniker an Board des &#220;-Wagens wohl eher unangenehm \u2013 ich glaube &#8222;unertr&#228;glich&#8220; war das verwendete Wort. Namen wurden nicht herausger&#252;ckt.<\/p>\n<p>Vielleicht ist die Geschichte ja auch nur gut erfunden: Tontechnikergeflunker. Es bleibt jedoch ein mehr oder minder theoretisches wie praktisches Problem, dass man auch jenseits kognitiver Verarbeitung von Schall, allein die physikalische Problematik nicht auszublenden ist.<\/p>\n<div id=\"attachment_14735\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?ssl=1\" class=\"thickbox no_icon\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-14735\" data-attachment-id=\"14735\" data-permalink=\"https:\/\/blogs.nmz.de\/badblog\/2017\/02\/14\/der-tote-winkel-des-klangs\/richardgreene_duets\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?fit=812%2C805&amp;ssl=1\" data-orig-size=\"812,805\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Richard Greene Duets. Cover\" data-image-description=\"&lt;p&gt;Richard Greene Duets. Cover&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Richard Greene Duets. Cover&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?fit=812%2C805&amp;ssl=1\" class=\"size-medium wp-image-14735\" src=\"https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?resize=300%2C297&#038;ssl=1\" alt=\"Richard Greene Duets. Cover\" width=\"300\" height=\"297\" srcset=\"https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?resize=300%2C297&amp;ssl=1 300w, https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?resize=768%2C761&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?resize=600%2C595&amp;ssl=1 600w, https:\/\/i0.wp.com\/blogs.nmz.de\/badblog\/files\/2017\/02\/richardgreene_duets.jpg?w=812&amp;ssl=1 812w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-14735\" class=\"wp-caption-text\">Richard Greene Duets. Cover<\/p><\/div>\n<p>Richard Greene hat das in einem wunderbaren Cover seiner Platte &#8222;Duets&#8220; gro&#223;artig dargestellt. Er verzichtet hier ganz auf sein Instrument. So als ob es gar nicht da w&#228;re, bzw. es schon da sei, aber nicht sichtbar f&#252;r den Normalsichtigen. Man kann wohl erahnen, welches Instrument er spielt. Aber wissen tut man es mit der n&#246;tigen Entschiedenheit leider nicht.<\/p>\n<p>Musik im toten Winkel des Klangs.\u00a0 Man k&#246;nnte nat&#252;rlich auch weiter gehen und daran die Forderung ankn&#252;pfen und fragen, wie k&#246;nnte denn barrierefreie Musik &#8222;ausssehen&#8220;? Naja, vielleicht nur eine dumme Frage eines Schwerh&#246;rigen.<\/p>\n<p>Esgab immerhin einmal einen Versuch, dies auch kompositorisch zur Geltung zu bringen \u2013 mehr oder minder gelungen. Mauricio Kagel hat es in seinem Film &#8222;Ludwig van&#8220; 1970 probiert. Im Spiegel-Interview f&#252;hrte er dazu aus:<\/p>\n<blockquote><p>KAGEL: Na. Der Idealfall w&#228;re, Beethoven so aufzuf&#252;hren, wie er h&#246;rte. Also: &#8222;schlecht&#8220;. Das habe ich in der Filmfassung von &#8222;Ludwig van&#8220; kompositorisch versucht. Der Hauptgedanke war, seine Musik so umzuinstrumentieren, da&#223; gewisse Klangbereiche und Frequenzen, die ein Tauber kaum oder verzerrt wahrnimmt, dementsprechend behandelt werden. Die Klangfarbenverzerrungen bewirkten, da&#223; uns bei den Aufnahmen nochmals klar wurde, was dies f&#252;r eine wahrhaft gro&#223;artige Musik ist. Alle beteiligten Musiker und ich selbst waren st&#228;ndig ergriffen. So eine Situation habe ich noch nie erlebt.[<a href=\"http:\/\/www.spiegel.de\/spiegel\/print\/d-43836565.html\">Quelle<\/a>]<\/p><\/blockquote>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7l8vPWFIgxI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=3719&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"> <\/div><ul class=\"shariff-buttons theme-default orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20tote%20Winkel%20des%20Klangs https%3A%2F%2Fblogs.nmz.de%2Fbadblog%2F2017%2F02%2F14%2Fder-tote-winkel-des-klangs%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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