{"id":12457,"date":"2015-11-17T13:35:44","date_gmt":"2015-11-17T12:35:44","guid":{"rendered":"http:\/\/blogs.nmz.de\/badblog\/?p=12457"},"modified":"2015-11-17T13:35:44","modified_gmt":"2015-11-17T12:35:44","slug":"complex-simplicity-how-to-address-pop-music","status":"publish","type":"post","link":"https:\/\/blogs.nmz.de\/badblog\/2015\/11\/17\/complex-simplicity-how-to-address-pop-music\/","title":{"rendered":"Complex Simplicity: How to address pop music"},"content":{"rendered":"<p>ARTICLE BY JAKE BELLISSIMO<\/p>\n<p>As classical musicians, we channel a lot of our energy into talking about nuance and its relevance in composition. An argument about why the music of \u201cNew Complexity\u201d must be notated the way it is typically boils down to \u201cthere are too many nuances that can\u2019t be notated any other way\u201d.<\/p>\n<p>Classical musicians also have the tendency to criticize pop music for the exact opposite reason. Musicians circulate slightly tacky videos on Facebook that parody the uniformity of pop harmony to comment on the perceived lack of imagination behind a lot of modern mainstream pop music, citing similar chord progressions and structure as a counterintuitive method.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/oOlDewpCfZQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>But why is this a problem? If I were to do the same for most of American minimalists\u2014separate the harmony from the rest of the composition and compare\u2014I would come up with the same result.<\/p>\n<p>Isn\u2019t it interesting that millions of people can write songs using the same chord progression but sound completely different each time? <\/p>\n<p>After all, this is one of the reasons why the folk tradition is still being actively preserved. If nuance was not an inherent part of the process, labels like Smithsonian Folkways wouldn\u2019t bother recording musicians who sing songs that have already been recorded. However, each playing style, tradition, etc. helps differentiate Pete Seeger\u2019s version of \u201cSkip to my Lou\u201d from Jean Ritchie\u2019s.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FG1CI633mfc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-tw--nybXmM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>While I understand that mainstream pop music has a different cultural presence than folk music, I am not interested in discussing that. The discussion surrounding the merits of music part of the \u201ccapitalist machine\u201d is a tired and worn-out topic. Pop music critiques are usually centered around personalities, marketing, and messages, avoiding discussing the music itself except when to reference lyrics or cultural impact. Through this, it becomes less of a musical discussion and more of a pop cultural analysis.<\/p>\n<p>Instead, what I am interested in discussing are the qualities of a \u201cgood\u201d pop song, because (just like with every musical practice) there are always mixtures of good and bad scattered throughout.<\/p>\n<p>So, political and social context aside, what makes up a great pop song if it isn\u2019t harmony? Well, arrangement is everything. Timbre, texture, presentation is key. Just ask Franz Schubert, arguably the original master of the 2-minute pop song.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/NF9DrUXowBo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>That\u2019s what Schubert was good at, after all: incredibly well-done songs about little else but love.<\/p>\n<p>These principles on their own won\u2019t guarantee a good pop song, though, and that guarantee continues into the modern age. For example, take Justin Bieber\u2019s song \u201cBoyfriend\u201d.<\/p>\n<p>http:\/\/www.dailymotion.com\/video\/xqvx2p_justin-bieber-boyfriend_news<\/p>\n<p>The song starts off with a beat that is incredibly unappetizing. The lazy clap sound to emphasize the offbeat doesn\u2019t provide the \u201cright\u201d rhythmic complement for Bieber\u2019s voice. In fact, this beat just sounds like a worse version of what Max Martin would accomplish in 2014 on Taylor Swift\u2019s song \u201cBlank Space\u201d.<\/p>\n<p>The same reasons why Schubert\u2019s songs usually work are the exact reason why this song fails. It has uninteresting timbre, lazy lyrics (rhyming \u201cgo\u201d with \u201cbefo\u2019\u201d?) and an execution that resembles more hastily getting words out than attention to melodic writing. Overall, it was one of the final bell tolls for Bieber\u2019s career\u2014it was the point where a kid with a voice went from performance pawn to sloppy songwriter all in one quick swoop.<\/p>\n<p>On the other side of the arena, though, there are other people making really clever, well-done pop songs for the 21st century. A great example is Nicki Minaj\u2019s \u201cAnaconda\u201d. Now, before I get distracted with the concept of \u201cass\u201d being a <a href=\"https:\/\/www.youtube.com\/watch?v=C78HBp-Youk\">centerpiece<\/a> for <a href=\"https:\/\/www.youtube.com\/watch?v=KeKLo10lwrI\">songwriting<\/a>, let me go straight into the music.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LDZX4ooRsWs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>What differentiates a song like \u201cAnaconda\u201d as a mainstream pop song that has care put into it comes from the arrangement and timbres that interact. There are many different sounds going on while her voice takes center stage that help accentuate the power of her statements. Even though a majority of these are effects, it doesn\u2019t distract from the fact that Nicki\u2019s lyricism is an instrument of its own. Her voice has a unique percussive touch that simply couldn\u2019t be replicated by anybody else. The fact that she\u2019s able to tell a convincing story with as little harmonic material as possible shows her understanding of pacing and form. By sampling \u201cBaby Got Back\u201d but changing the meaning to fit around her feminist ideology, lines like \u201cpussy put his ass to sleep, now he callin\u2019 me Nyquil\u201d ring true with an almost Cole Porter-esque level of cleverness and poetry.<\/p>\n<p>And that\u2019s the thing: while the directness of a lot of pop music (whether you\u2019re talking about <a href=\"https:\/\/www.youtube.com\/watch?v=HtLWm3r9tS8\">early Beatles<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=I6azzNTr6xE\">Backstreet Boys<\/a>, or even Bieber\u2019s \u201cBoyfriend\u201d) can fall flat and reek of lazy composition, there are songs like \u201cAnaconda\u201d that are thoroughly detailed and gems.<\/p>\n<p>Our tendency to take the worst of a genre to represent a entire genre shows our lack of understanding of what makes this music detailed. If you were to break down a song like \u201cAnaconda\u201d and look strictly for harmonic content, you\u2019d find very little and label it as simplistic.<\/p>\n<p>I\u2019m not saying that you have to enjoy this type of music, I\u2019m just questioning whether or not our analysis is fair. Is it really fair to judge music based on its simplicity when multifaceted complexity exists underneath in ways we wouldn\u2019t expect?<\/p>\n<p>Jake Bellissimo<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"> <\/div><ul class=\"shariff-buttons theme-default orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Complex%20Simplicity%3A%20How%20to%20address%20pop%20music https%3A%2F%2Fblogs.nmz.de%2Fbadblog%2F2015%2F11%2F17%2Fcomplex-simplicity-how-to-address-pop-music%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#fff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Complex%20Simplicity%3A%20How%20to%20address%20pop%20music https%3A%2F%2Fblogs.nmz.de%2Fbadblog%2F2015%2F11%2F17%2Fcomplex-simplicity-how-to-address-pop-music%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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